Dew Kim


a.k.a. Huh Need-you ๐Ÿˆ
holyhornyhoneydew@gmail.com
artist statement ๎„ด๏ธŽ
(Korean below ํ•œ๊ตญ์–ด๋Š” ์•„๋ž˜)



Education

2016 MA Sculpture, Royal College of Art, London, UK (Distinction)
2013 BFA Metalsmithing and Jewelry, College of Art and Design, Konkuk University, Chungju, Korea



Solo Shows

2021 <Apocalypse Kiss>, Fragment Gallery, Moscow, Russia
2021 <Still Life Overture>, Theatre Sinchon, Seoul, Korea (Theater) ๐Ÿˆ 
2021 <When the Water Blushed>, Osisun Web & Osisun, Seoul, Korea ๐Ÿˆ
2020 <Dear Fear>, out_sight, Seoul, Korea ๐Ÿˆ 

2019 <Fire and Faggot>, Artist Residency TEMI, Daejeon, Korea
2018 <Purple Kiss โ™ก>, Archive Bomm, Seoul, Korea
2018 <Succulent Humans>, Art Space Grove, Seoul, Korea



Group Shows/Screenings/Performances

2021
<Exclusive: Santa>, GCS, Seou
<VU JADE>, BOAN1942, Seoul, Korea (Performance)
<New Rituals of Healing>, An artistโ€™s garden at the Kulturforum, Berlin, Germany (Screening)
<00MHz>, Sreening Room, Ulsan, Korea
<Joy of Singing>, Alternative Space Loop, Seoul, Korea

2020
<ALWAYS A DREAMER but testing the waters>, ABRIR, Lima, Peru (Online) ๐Ÿˆ ๎ฃ๏ธŽ
 <PERFORM 2020_Online: Selected>, PERFORM, Online (Online Screening) ๎ฃ๏ธŽ
<Tangible Error>, d/p, Seoul, Korea

<Ghost Coming 2020 {X-ROOM}>, Ilmin Museum of Art, Seoul, Korea (Online)
<2020 Asia Project: Looking for Another Family>, National Museum of Modern and Contemporary Art (MMCA), Seoul, Korea ๎ฃ๏ธŽ
<New Normal>, Old House, Seoul, Korea ๐Ÿˆ
<When it Waxes, it Wanes: Transcultural Transformation>, VBKร–, Vienna, Austria

2019
<Diastรจma>, Viafarini-in-residence, Milan, Italy (Screening)
<Project Space Festival Juรกrez>, Ciudad Juรกrez, Mexico (Screening)
<Otros Cuerpos (Ciclo Cuerpos)>, Club Cultural Matienzo, Buenos Aires, Argentina (Screening)
<The Art of Relief>, 5%, Seoul, Korea
<Gender Hierarchy: Recycling its Errors>, Space One, Seoul, Korea
<PERFORM 2019: LinkIn-out>, Ilmin Museum of Art, Seoul & Asia Culture Center, Gwangju, Korea
<Can-Can Boys>, artbn, Seoul, Korea
<Ann Arbor Film Festival>, Michigan Theater, Ann Arbor, US (Screening)

2018
<The Shape of Nature>, HIGHTIDE, Fukuoka, Japan
<Gender Hierarchy>, Grey Projects, Singapore
<Beyond the Moon>, Haus am Lรผtzowplatz, Berlin, Germany
<Starring>, Laser, Seoul, Korea

2017
<Post-Cyber Feminist International>, Institute of Contemporary Arts (ICA), London, UK (Screening) ๎ฃ๏ธŽ
<Buttersรคure-Senf>, PILOTENKUECHE, Leipzig, Germany
<Uns Gefรคllt Alles>, Galerie Bipolar, Leipzig, Germany
<PSi#23 "OverFlow">, Kampnagel, Hamburg, Germany (Performance)
<A Pond Skater>, 2 person show with Se Hee Kang, Art Space Ttang Sok, Seoul, Korea

2016
<Cuerpos Proliferados (Ciclo Cuerpos)>, Club Cultural Matienzo, Buenos Aires, Argentina (Screening)
<Buenos Aires Biennial of the Moving Image (BIM)>, Centro Cultural Recoleta, Buenos Aires, Argentina (Screening) ๎ฃ๏ธŽ
<ASTERISCO (Festival Internacional de cine LGBTIQ)>, Casa Brandon, Buenos Aires, Argentina (Screening & Performance)
<Sticky>, The Nines Peckham, London, UK (Screening)
<Death & Romance>, Palazzo Lucarini Contemporary, Trevi, Italy (Performance)
<Show RCA>, Royal College of Art, London, UK
<SWEAT>, Camden Arts Centre, London, UK
<Line of Beauty>, Islington Arts Factory, London, UK
<Two Seeds of Early Spring>, 2 person show with Jinhee Park, Hockey Gallery, London, UK

2015
<Stewarts Law RCA Secret>, Dyson Gallery, London, UK & Art Dubai, Dubai, UAE
<RCA@ECA>, Sculpture Court, Edinburgh College of Art, Edinburgh, UK

2014
<SKIN/CELLS>, Rose Lipman Building, London, UK

2012
<Electronic Magic Supersonic Bionic Energy>, Gallery Limited, Ilmin Museum of Art, Seoul, Korea



Projects / Events

2021 <Steak Film X Huh Need-you โ€˜ XXX: at the border of violationโ€™>, Steak Cinema, Seoul, Korea ๐Ÿˆ
2019 <Seoul Pride Fair,> DDP, Seoul, Korea
2018 <Obviously Video X Dew Kim โ€˜My First Dateโ€™>, Eulji Space, Seoul, Korea (Screening)
2018 <al_Dew Kim_HIGHTIDE>, HIGHTIDE, Fukuoka, Japan
2018 <MASKA X DEW KIM 'Dreamer to reality'>, MASKA, Seoul, Korea
2015 <Offprint London>, Tate Modern Turbine Hall, London, UK
2013 <Bushwick Open Studios>, Space 776, New York, US
2013 <The Black Party>, Saint At Large, New York, US
2011 <Dazed X Grolsch Art Collaboration>, Dazed Korea, Seoul, Korea
2011 <Sex Party in Shortbus>, Design & Art Fair 2011, Hangaram Design Museum of Seoul Arts Center, Seoul, Korea



Awards / Grants

2021 Ivancity Queer Cuture Fund, Rainbow Foundation. Seoul, Korea
2020 Artists in Early Career Stage (Winner), Center Stage, Moscow, Russia 
2020 Project Grant, Seoul Foundation for Arts and Culture, Seoul, Korea
2018 The First Art Creation Support, Seoul Foundation for Arts and Culture, Seoul, Korea
2017 CICA Young Korean Artists, CICA Museum, Gimpo, Korea
2016 Emerald Winter Pride Art Awards, Winter Pride, London, UK
2015 The Overseas Bursary, Royal College of Art, London, UK
2013 Korea Eyewear Design Competition, KOISC, Daegu, Korea
2011 Young Artist Awards "New B" (Design & Art Fair 2011), Design Jungle, Seoul, Korea



Residencies

2022 SeMA Nanji Residency, Seoul, Korea
2021 MMCA Residency Goyang, Goyang, Korea

2020 Seoul Art Space Geumcheon, Seoul, Korea

2019 Artist Residency TEMI, Daejeon, Korea
2018 Studio AAST, Seoul, Korea
2017 PILOTENKUECHE, Leipzig, Germany
2016 Death & Romance (A workshop with Franko B), Palazzo Lucarini Contemporary, Trevi, Italy
2015 Citรฉ Internationale des Arts, Paris, France - with support of Royal College of Art



Talks

2020 Special Lecture, Intermedia art, Kaywon University of Art & Design, Uiwang, Korea (Online)
2020 @{X-ROOM} ARTIST{TALK} by Ilmin Museum of Art, KakaoTalk Open Chat & YouTube Live, Online
2020 New Normal Talk, Instagram Live, Online ๐Ÿˆ
2019 The Art of Relief Talk, 5%, Seoul, Korea
2019 Can-Can Boys Talk, National Museum of Modern and Contemporary Art (MMCA), Seoul, Korea



Publications

2021 โ€˜The Promise of Parasites: Queer Currents, Currencies of Queerness, and Dew Kimโ€™s Latrinxia: A New Utopiaโ€™ by Andrew Cummings, Essay, The Courtauld (Dec) ๎ฃ๏ธŽ
2021 โ€˜PENDULATING IDENTITIES: THE DIGITAL DOUBLES OF KOREAN ARTISTSโ€™ by Minji Chun, Critic, ArtAsiaPacific (Sep) ๎ฃ๏ธŽ

2021 โ€˜Find Your Chastity by Huh, Need-youโ€™, Essay, Zine Seminar Issue.07 (May) ๐Ÿˆ ๎ฃ๏ธŽ
2021 โ€˜Huh, Need-you (a.k.a Dew Kim) Dear Fear by Tae-Lim Hongโ€™, Review, Monthly Art Magezine No.434 (Mar) ๐Ÿˆ
2020 โ€˜10 Contemporary Artists Who Celebrate Queernessโ€™ by Victor Schagerlund, Article, Ruth Millington (Dec) ๎ฃ๏ธŽ
2020 โ€˜What to See in Seoul (Between Lockdowns)โ€˜ by Andy St. Louis, Article, ArtReview (Jun) ๎ฃ๏ธŽ
2020 โ€˜Looking for another familyโ€™, Article, e-flux (May) ๎ฃ๏ธŽ
2020 โ€˜New Normalโ€™, Catalogue, 6699press with support of Arts Council Korea (May) ๐Ÿˆ
2020 โ€˜Feed My Quaranteinโ€™ Webzine, By Appointment Only (Apr) ๎ฃ๏ธŽ
2020 โ€˜New Normal by Yeonsook Leeโ€˜, Review, Monthly Art Magazine No.423 (Apr) ๐Ÿˆ
2019 โ€˜Fire and Faggotโ€™, Catalogue - with support of Daejeon Culture and Arts Foundation (Nov)
2019 โ€˜Endeavorers for Cruising (An Exhibition โ€˜Can-Can Boysโ€™) by Jiyoon Yangโ€™, Review, Public Art Magazine No.155 (Aug) ๎ฃ๏ธŽ
2019 โ€˜Can-Can Boysโ€™, Catalogue, Self-publishing (Jul)
2019 'Interview with Dew Kim', DE:FORMAL Gallery (Feb) ๎ฃ๏ธŽ
2018 'The Gap between Creators-Consumers', Interview, Magazine Cling Issue.1 (Dec)
2018 'Poly Voices', Interview, Magazine Lungs Project Issue.3 (Oct)
2018 โ€˜Purple Kiss โ™กโ€™, Catalogue - with support of Seoul Foundation for Arts and Culture (Oct)
2018 'CICA Art Now 2018', Catalogue, CICA Museum (Aug)
2018 'Green/Gonzalez & The Church of Expanded Telepathy', Interview, Art Berlin (Feb)
2017 'Ungender, deprogram, urinate: improve your life with post-cyber international feminism!', Article, The Guardian (Nov)
2017 'How can feminist & queer practices impact future technology?', Article, Dazed Digital (Nov)
2016 'Sticky', Interview, SYRUP Magazine, Vol.1 (Nov)
2016 'Death & Romance (A workshop with Franko B)', Catalogue, Palazzo Lucarini Contemporary (Oct)
2016 โ€˜Two Seeds of Early Spring (Inteviewed by Gerardo Chavez-Maza)โ€™, Interview (Feb)
2015 'DIONYSIA: The True Story of My Relationship with My Body', Distinction Awarded Dissertation, Royal College of Art (Oct)
2012 'ใ…†ใ…‚', Interview, D.NOMADE Magazine Vol.11 (Sep)
2011 'Dazed x Grolsch Art Collaboration', Dazed & Confused Korea Vol.38 (Jun)






ํ•™๋ ฅ  

2016 ์˜๊ตญ์™•๋ฆฝ์˜ˆ์ˆ ํ•™๊ต ์กฐ์†Œ๊ณผ ์„์‚ฌ ์กธ์—… (์šฐ์ˆ˜๋…ผ๋ฌธ)
2013 ๊ฑด๊ตญ๋Œ€ํ•™๊ต ๋””์ž์ธ์กฐํ˜•๋Œ€ํ•™ ๊ธˆ์†๊ณต์˜ˆ ํ•™์‚ฌ ์กธ์—…



๊ฐœ์ธ์ „  

2021 <์•„ํฌ์นผ๋ฆฝ์Šค ํ‚ค์Šค>, ํ”„๋ž˜๊ทธ๋จผํŠธ ๊ฐค๋Ÿฌ๋ฆฌ, ๋ชจ์Šคํฌ๋ฐ”, ๋Ÿฌ์‹œ์•„
2021 <์ •๋ฌผํ™” ์„œ๊ณก>, ์‹ ์ดŒ๊ทน์žฅ, ์„œ์šธ, ํ•œ๊ตญ (์—ฐ๊ทน) ๐Ÿˆ
2021 <๋ฌผ์ด ๋ถ‰์–ด์กŒ์„ ๋•Œ>, ์˜ค์‹œ์„  ์›น & ์˜ค์‹œ์„ , ์„œ์šธ, ํ•œ๊ตญ ๐Ÿˆ
2020 <์นœ์• ํ•˜๋Š” ๊ณตํฌ์—๊ฒŒ>, ์•„์›ƒ์‚ฌ์ดํŠธ, ์„œ์šธ, ํ•œ๊ตญ ๐Ÿˆ 
2019 <ํ™”ํ˜•>, ํ…Œ๋ฏธ์˜ˆ์ˆ ์ฐฝ์ž‘์„ผํ„ฐ, ๋Œ€์ „, ํ•œ๊ตญ
2018 <๋‚ด๊ฐ€ ์กฐ๊ธˆ ๋” ์„ค๋  ์ˆ˜ ์žˆ๊ฒŒ โ™ก Purple Kiss>, ์•„์นด์ด๋ธŒ ๋ด„, ์„œ์šธ, ํ•œ๊ตญ 
2018, <๋‹ค์œก์ธ๊ฐ„>, ์•„ํŠธ์ŠคํŽ˜์ด์Šค ๊ทธ๋กœ๋ธŒ, ์„œ์šธ, ํ•œ๊ตญ



๊ทธ๋ฃน์ „  

2021
<์ต์Šคํด๋ฃจ์‹œ๋ธŒ: ์‚ฐํƒ€>, GCS, ์„œ์šธ, ํ•œ๊ตญ ๐Ÿˆ
<๋ทฐ์ž๋ฐ>, ๋ณด์•ˆ์—ฌ๊ด€, ์„œ์šธ, ํ•œ๊ตญ (ํผํฌ๋จผ์Šค)
<๋‰ด ๋ฆฌ์ถ”์–ผ์Šค ์˜ค๋ธŒ ํž๋ง>, ์•„ํ‹ฐ์ŠคํŠธ ๊ฐ€๋“ , ์ฟจํˆฌ์–ดํฌ๋ฃธ, ๋ฒ ๋ฅผ๋ฆฐ, ๋…์ผ (์Šคํฌ๋ฆฌ๋‹)
<00MHZ: ์ง„๋™ํ•˜๋Š” ๊ฒฝ๊ณ„๋“ค>, ์ค‘๊ตฌ ๋ฌธํ™”์˜๊ฑฐ๋ฆฌ ํ˜„๋Œ€๋ฏธ์ˆ ์ œ 2021, ์Šคํฌ๋ฆฌ๋‹๋ฃธ, ์šธ์‚ฐ, ํ•œ๊ตญ
<๋…ธ๋ž˜ํ•˜๋Š” ์‚ฌ๋žŒ>, ๋Œ€์•ˆ๊ณต๊ฐ„ ๋ฃจํ”„, ์„œ์šธ, ํ•œ๊ตญ

2020 
<์˜ฌ์›จ์ด์ฆˆ ์–ด ๋“œ๋ฆฌ๋จธ ๋ฒ— ํ…Œ์ŠคํŒ… ๋” ์›Œํ„ฐ์ฆˆ>, ABRIR, ๋ฆฌ๋งˆ, ํŽ˜๋ฃจ (์˜จ๋ผ์ธ) ๐Ÿˆ ๎ฃ๏ธŽ
<ํผํผ 2020_์˜จ๋ผ์ธ: ์…€๋ ‰ํ‹ฐ๋“œ>, ํผํผ, ์˜จ๋ผ์ธ (์˜จ๋ผ์ธ ์Šคํฌ๋ฆฌ๋‹) ๎ฃ๏ธŽ
<ํƒ ์ €๋ธ” ์—๋Ÿฌ> d/p, ์„œ์šธ, ํ•œ๊ตญ 
<๊ณ ์ŠคํŠธ์ปค๋ฐ 2020 {X-ROOM}>, ์ผ๋ฏผ๋ฏธ์ˆ ๊ด€, ์„œ์šธ, ํ•œ๊ตญ (์˜จ๋ผ์ธ)
<2020 ์•„์‹œ์•„ ๊ธฐํš์ „: ๋˜ ๋‹ค๋ฅธ ๊ฐ€์กฑ์„ ์ฐพ์•„์„œ>, ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€, ์„œ์šธ, ํ•œ๊ตญ ๎ฃ๏ธŽ
<๋‰ด๋…ธ๋ฉ€>, ์˜ค๋ž˜๋œ ์ง‘, ์„œ์šธ, ํ•œ๊ตญ ๐Ÿˆ
<์›ฌ ์ž‡ ์™์‹œ์ฆˆ, ์ž‡ ์›จ์ธ์ฆˆ: ํŠธ๋žœ์Šค์ปฌ์ฒ˜๋Ÿด ํŠธ๋žœ์Šคํฌ๋ฉ”์ด์…˜>, VBKร–, ๋นˆ, ์˜ค์ŠคํŠธ๋ฆฌ์•„   

2019
<๋””์•„์Šคํ…Œ๋งˆ>, ๋น„์•„ํŒŒ๋ฆฌ๋‹ˆ-์ธ-๋ ˆ์ง€๋˜์Šค, ๋ฐ€๋ผ๋…ธ, ์ดํƒˆ๋ฆฌ์•„ (์Šคํฌ๋ฆฌ๋‹)
<ํ”„๋กœ์ ํŠธ ์ŠคํŽ˜์ด์Šค ํŽ˜์Šคํ‹ฐ๋ฒŒ ํ›„์•„๋ ˆ์Šค>, ์‹œ์šฐ๋‹ค๋“œ ํ›„์•„๋ ˆ์Šค, ๋ฉ•์‹œ์ฝ” (์Šคํฌ๋ฆฌ๋‹)
<์˜คํŠธ๋กœ์Šค ์ฟ ์—๋ฅดํฌ์Šค (์‹œํด๋กœ ์ฟ ์—๋ฅดํฌ์Šค)>, ํด๋Ÿฝ ์ปฌํˆฌ๋ž„ ๋งˆํ‹ฐ์—”์กฐ, ๋ถ€์—๋…ธ์Šค ์•„์ด๋ ˆ์Šค, ์•„๋ฅดํ—จํ‹ฐ๋‚˜ (์Šคํฌ๋ฆฌ๋‹)
<์–‘๊ฐ์˜ ๊ธฐ์ˆ >, ์˜คํผ์„ผํŠธ, ์„œ์šธ, ํ•œ๊ตญ    
<์  ๋”+๊ธฐ์ˆ : ์˜ค๋ฅ˜์˜ ์žฌ์ƒ>, ์ŠคํŽ˜์ด์Šค ์›, ์„œ์šธ, ํ•œ๊ตญ
<ํผํผ 2019: ๋ฆฐํ‚จ์•„์›ƒ>, ์ผ๋ฏผ๋ฏธ์ˆ ๊ด€, ์„œ์šธ & ๊ตญ๋ฆฝ์•„์‹œ์•„๋ฌธํ™”์ „๋‹น, ๊ด‘์ฃผ, ํ•œ๊ตญ
<๋™์„ฑ์บ‰์บ‰>, ์•„ํŠธ๋น„์•ค, ์„œ์šธ, ํ•œ๊ตญ
<์•ค ์•„๋ฒ„ ์˜ํ™”์ œ>, ๋ฏธ์‹œ๊ฐ„ ๊ทน์žฅ, ์•ค ์•„๋ฒ„, ๋ฏธ๊ตญ (์Šคํฌ๋ฆฌ๋‹)

2018
<๋” ์…ฐ์ž… ์˜ค๋ธŒ ๋„ค์ด์ฒ˜>, ํ•˜์ดํƒ€์ด๋“œ, ํ›„์ฟ ์˜ค์นด, ์ผ๋ณธ
<์  ๋” ํ•˜์ด๋ผํ‚ค>, ๊ทธ๋ ˆ์ด ํ”„๋กœ์ ํŠธ, ์‹ฑ๊ฐ€ํฌ๋ฅด
<๋น„์š˜๋“œ ๋” ๋ฌธ>, ํ•˜์šฐ์Šค ์•” ๋คผ์ดˆ๋ธŒํ”Œ๋ผ์ธ , ๋ฒ ๋ฅผ๋ฆฐ, ๋…์ผ     
<๋ณ„์ง“>, ๋ ˆ์ด์ €, ์„œ์šธ, ํ•œ๊ตญ

2017
<ํฌ์ŠคํŠธ-์‚ฌ์ด๋ฒ„ ํŽ˜๋ฏธ๋‹ˆ์ŠคํŠธ ์ธํ„ฐ๋‚ด์…”๋„>, ์ธ์Šคํ‹ฐํŠœํŠธ ์˜ค๋ธŒ ์ปจํ…œํฌ๋Ÿฌ๋ฆฌ ์•„ํŠธ (ICA), ๋Ÿฐ๋˜, ์˜๊ตญ (์Šคํฌ๋ฆฌ๋‹) ๎ฃ๏ธŽ
<๋ถ€ํ…Œ๋ฅดํ…Œ์Šˆ-์„ผํ”„>, ํ•„๋กœํ…์ฟ ์—์ฒด PILOTENKUECHE, ๋ผ์ดํ”„์น˜ํžˆ, ๋…์ผ
<์šด์Šค ๊ฒŒํŽ ํŠธ ์•Œ๋ ˆ์Šค>,  ๊ฐค๋Ÿฌ๋ฆฌ ๋น„ํด๋ผ, ๋ผ์ดํ”„์น˜ํžˆ, ๋…์ผ
<PSi#23 โ€œ์˜ค๋ฒ„ํ”Œ๋กœ์šฐโ€>, ์บ„ํŒŒ๊ฒ”, ํ•จ๋ถ€๋ฅดํฌ, ๋…์ผ (ํผํฌ๋จผ์Šค)
<์†Œ๊ธˆ์Ÿ์ด>, ๊ฐ•์„ธํฌ์™€ 2์ธ์ „, ์˜ˆ์ˆ ๊ณต๊ฐ„ ๋•…์†, ์„œ์šธ, ํ•œ๊ตญ

2016
<์ฟ ์—๋ฅดํฌ์Šค ํ”„๋กค๋ฆฌํŽ˜๋ผ๋„์Šค (์‹œํด๋กœ ์ฟ ์—๋ฅดํฌ์Šค)>, ํด๋Ÿฝ ์ปฌํˆฌ๋ž„ ๋งˆํ‹ฐ์—”์กฐ, ๋ถ€์—๋…ธ์Šค ์•„์ด๋ ˆ์Šค, ์•„๋ฅดํ—จํ‹ฐ๋‚˜ (์Šคํฌ๋ฆฌ๋‹)
<๋ถ€์—๋…ธ์Šค ์•„์ด๋ ˆ์Šค ๋ฌด๋น™์ด๋ฏธ์ง€ ๋น„์—”๋‚ ๋ ˆ BIM>, ์„ผํŠธ๋กœ ์ปฌํˆฌ๋ž„ ๋ ˆ์ฝœ๋ ˆํƒ€, ๋ถ€์—๋…ธ์Šค ์•„์ด๋ ˆ์Šค, ์•„๋ฅดํ—จํ‹ฐ๋‚˜ (์Šคํฌ๋ฆฌ๋‹) ๎ฃ๏ธŽ
<์•„์Šคํ…Œ๋ฆฌ์Šค์ฝ” ASTERISCO (LGBTIQ ๊ตญ์ œ ์˜ํ™”์ œ)>, ์นด์‚ฌ ๋ธŒ๋ž€๋˜, ๋ถ€์—๋…ธ์Šค ์•„์ด๋ ˆ์Šค, ์•„๋ฅดํ—จํ‹ฐ๋‚˜ (์Šคํฌ๋ฆฌ๋‹ ๋ฐ ํผํฌ๋จผ์Šค) 
<์Šคํ‹ฐํ‚ค>, ๋” ๋‚˜์ธ ํŒฉํ–„, ๋Ÿฐ๋˜, ์˜๊ตญ (์Šคํฌ๋ฆฌ๋‹)
<๋ฐ์“ฐ ์•ค ๋กœ๋งจ์Šค>, ํŒ”๋ผ์ดˆ ๋ฃจ์นด๋ฆฌ๋‹ˆ ์ปจํ…œํฌ๋Ÿฌ๋ฆฌ, ํŠธ๋ ˆ๋น„, ์ดํƒˆ๋ฆฌ์•„ (ํผํฌ๋จผ์Šค)
<์‡ผ RCA>, ์˜๊ตญ์™•๋ฆฝ์˜ˆ์ˆ ํ•™๊ต, ๋Ÿฐ๋˜, ์˜๊ตญ
<์Šค์›ป>, ์บ ๋“ ์•„ํŠธ์„ผํ„ฐ, ๋Ÿฐ๋˜, ์˜๊ตญ
<๋ผ์ธ ์˜ค๋ธŒ ๋ทฐํ‹ฐ>, ์ด์Šฌ๋งํ„ด ์•„ํŠธ ํŒฉํ† ๋ฆฌ, ๋Ÿฐ๋˜, ์˜๊ตญ
<์ดˆ๋ด„: Two Seeds of Early Spring>, ๋ฐ•์ง„ํฌ์™€ 2์ธ์ „, ํ˜ธํฌ๋‹ˆ ๊ฐค๋Ÿฌ๋ฆฌ, ๋Ÿฐ๋˜, ์˜๊ตญ

2015
<RCA ์‹œํฌ๋ฆฟ>, ๋‹ค์ด์Šจ ๊ฐค๋Ÿฌ๋ฆฌ, ๋Ÿฐ๋˜, ์˜๊ตญ & ์•„ํŠธ๋‘๋ฐ”์ด, ๋‘๋ฐ”์ด, ์•„๋ž ์—๋ฏธ๋ ˆ์ดํŠธ
<RCA@ECA>, ์Šค์ปฌ์ณ ์ฝ”ํŠธ, ์—๋“ ๋ฒ„๋Ÿฌ ๋Œ€ํ•™๊ต, ์—๋“ ๋ฒ„๋Ÿฌ, ์˜๊ตญ

2014
<์Šคํ‚จ/์…€์ฆˆ>, ๋กœ์ฆˆ ๋ฆฝ๋จผ ๋นŒ๋”ฉ, ๋Ÿฐ๋˜, ์˜๊ตญ

2012
<์ผ๋ ‰ํŠธ๋กœ๋‹‰ ๋งค์ง ์Šˆํผ์†Œ๋‹‰ ๋ฐ”์ด์˜ค๋‹‰ ์—๋„ˆ์ง€>, ๊ฐค๋Ÿฌ๋ฆฌ ๋ฆฌ๋ฏธํ‹ฐ๋“œ, ์ผ๋ฏผ๋ฏธ์ˆ ๊ด€, ์„œ์šธ, ํ•œ๊ตญ    



ํ”„๋กœ์ ํŠธ / ์ด๋ฒคํŠธ

2021 <์Šคํ…Œ์ดํฌ ํ•„๋ฆ„ X ํ—ˆ๋‹ˆ๋“€ โ€˜XXX: ์œ„๋ฐ˜์˜ ๊ฒฝ๊ณ„์„ โ€™>, ์Šคํ…Œ์ดํฌ ์‹œ๋„ค๋งˆ, ์„œ์šธ, ํ•œ๊ตญ ๐Ÿˆ
2019 <์„œ์šธํ”„๋ผ์ด๋“œํŽ˜์–ด>, ๋™๋Œ€๋ฌธ๋””์ž์ธํ”Œ๋ผ์ž, ์„œ์šธ, ํ•œ๊ตญ
2018 <์•ˆ๋ด๋„ ๋น„๋””์˜ค X ๋“€ํ‚ด โ€˜์ฒซ ๋ฒˆ์งธ ๋ฐ์ดํŠธโ€™>, ์„์ง€๊ณต๊ฐ„, ์„œ์šธ, ํ•œ๊ตญ (์Šคํฌ๋ฆฌ๋‹)
2018 <์•„์—˜_๋“€ํ‚ด_ํ•˜์ดํƒ€์ด๋“œ>, ํ•˜์ดํƒ€์ด๋“œ, ํ›„์ฟ ์˜ค์นด, ์ผ๋ณธ
2018 <๋งˆ์Šค์นด X ๋“€ํ‚ด โ€˜๋“œ๋ฆฌ๋จธ ํˆฌ ๋ฆฌ์–ผ๋ฆฌํ‹ฐ'>, ๋งˆ์Šค์นด, ์„œ์šธ, ํ•œ๊ตญ
2015 <์˜คํ”„ํ”„๋ฆฐํŠธ ๋Ÿฐ๋˜>, ํ…Œ์ดํŠธ ๋ชจ๋˜ ํ„ฐ๋นˆํ™€, ๋Ÿฐ๋˜, ์˜๊ตญ
2013 <๋ถ€์‹œ์œ… ์˜คํ”ˆ ์ŠคํŠœ๋””์˜ค>, ์ŠคํŽ˜์ด์Šค 776, ๋‰ด์š•, ๋ฏธ๊ตญ
2013 <๋” ๋ธ”๋ž™ ํŒŒํ‹ฐ>, ์„ธ์ธํŠธ ์•ณ ๋ผ์ง€, ๋‰ด์š•, ๋ฏธ๊ตญ
2011 <๋ฐ์ด์ฆˆ๋“œ X ๊ทธ๋กค์‰ฌ ์•„ํŠธ ์ฝœ๋ผ๋ณด๋ ˆ์ด์…˜>, ๋ฐ์ด์ฆˆ๋“œ ์ฝ”๋ฆฌ์•„, ์„œ์šธ, ํ•œ๊ตญ
2011 <์„น์ŠคํŒŒํ‹ฐ ์ธ ์ˆ๋ฒ„์Šค>, ๋””์ž์ธ์•„ํŠธํŽ˜์–ด 2011, ํ•œ๊ฐ€๋žŒ๋””์ž์ธ๋ฏธ์ˆ ๊ด€, ์˜ˆ์ˆ ์˜ ์ „๋‹น, ์„œ์šธ, ํ•œ๊ตญ  



์ˆ˜์ƒ / ๊ธฐ๊ธˆ   

2021 ์ด๋ฐ˜์‹œํ‹ฐํ€ด์–ด๋ฌธํ™”๊ธฐ๊ธˆ, ๋น„์˜จ๋’ค๋ฌด์ง€๊ฐœ์žฌ๋‹จ, ์„œ์šธ, ํ•œ๊ตญ
2020 ์•„ํ‹ฐ์ŠคํŠธ ์ธ ์–ผ๋ฆฌ ์ปค๋ฆฌ์–ด ์Šคํ…Œ์ด์ง€ (์œ„๋„ˆ), ์„ผํ„ฐ ์Šคํ…Œ์ด์ง€, ๋ชจ์Šคํฌ๋ฐ”, ๋Ÿฌ์‹œ์•„
2020 ์˜ˆ์ˆ ์ฐฝ์ž‘ํ™œ๋™์ง€์›, ์„œ์šธ๋ฌธํ™”์žฌ๋‹จ, ์„œ์šธ, ํ•œ๊ตญ  
2018 ์ตœ์ดˆ์˜ˆ์ˆ ์ง€์›, ์„œ์šธ๋ฌธํ™”์žฌ๋‹จ, ์„œ์šธ, ํ•œ๊ตญ   
2017 ์‹œ์นด ์˜ ์ฝ”๋ฆฌ์•ˆ ์•„ํ‹ฐ์ŠคํŠธ, ์‹œ์นด๋ฏธ์ˆ ๊ด€, ๊น€ํฌ, ํ•œ๊ตญ   
2016 ์—๋ฉ”๋ž„๋“œ ์œˆํ„ฐ ํ”„๋ผ์ด๋“œ ์•„ํŠธ ์–ด์›Œ๋“œ, ์œˆํ„ฐ ํ”„๋ผ์ด๋“œ, ๋Ÿฐ๋˜, ์˜๊ตญ  
2015 ๊ตญ์™ธํ•™์ƒ์žฅํ•™๊ธˆ, ์˜๊ตญ์™•๋ฆฝ์˜ˆ์ˆ ํ•™๊ต, ๋Ÿฐ๋˜, ์˜๊ตญ   
2013 ๋Œ€ํ•œ๋ฏผ๊ตญ ์•ˆ๊ฒฝ๋””์ž์ธ ๊ณต๋ชจ์ „, ํ•œ๊ตญ์•ˆ๊ฒฝ์‚ฐ์—…์ง€์›์„ผํ„ฐ, ๋Œ€๊ตฌ, ํ•œ๊ตญ 
2011 ์‹ ์ง„ ์•„ํ‹ฐ์ŠคํŠธ โ€œNew Bโ€ (๋””์ž์ธ์•„ํŠธํŽ˜์–ด 2011), ๋””์ž์ธ ์ •๊ธ€, ์„œ์šธ, ํ•œ๊ตญ   



๋ ˆ์ง€๋˜์‹œ    

2022 ์„œ์šธ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€ ๋‚œ์ง€๋ฏธ์ˆ ์ฐฝ์ž‘์ŠคํŠœ๋””์˜ค, ์„œ์šธ, ํ•œ๊ตญ
2021 ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€ ๊ณ ์–‘๋ ˆ์ง€๋˜์‹œ, ๊ณ ์–‘, ํ•œ๊ตญ
2020 ๊ธˆ์ฒœ์˜ˆ์ˆ ๊ณต์žฅ, ์„œ์šธ, ํ•œ๊ตญ
   
2019 ํ…Œ๋ฏธ์˜ˆ์ˆ ์ฐฝ์ž‘์„ผํ„ฐ, ๋Œ€์ „, ํ•œ๊ตญ
2018 ์ŠคํŠœ๋””์˜ค ์•„์ŠคํŠธ, ์„œ์šธ, ํ•œ๊ตญ    
2017 ํ•„๋กœํ…์ฟ ์—์ฒด PILOTENKUECHE, ๋ผ์ดํ”„์น˜ํžˆ, ๋…์ผ
2016 ๋ฐ์“ฐ ์•ค ๋กœ๋งจ์Šค (ํ”„๋žญ์ฝ” ๋น„์˜ ์›Œํฌ์ˆ), ํŒ”๋ผ์ดˆ ๋ฃจ์นด๋ฆฌ๋‹ˆ ์ปจํ…œํฌ๋Ÿฌ๋ฆฌ, ํŠธ๋ ˆ๋น„, ์ดํƒˆ๋ฆฌ์•„ 
2015 ํŒŒ๋ฆฌ๊ตญ์ œ์˜ˆ์ˆ ๊ณต๋™์ฒด, ํŒŒ๋ฆฌ, ํ”„๋ž‘์Šค - ์˜๊ตญ์™•๋ฆฝ์˜ˆ์ˆ ํ•™๊ต ํ›„์›    


  
ํ† ํฌ    

2020 ํŠน๊ฐ•, ๊ณ„์›์˜ˆ์ˆ ๋Œ€ํ•™๊ต ์œตํ•ฉ์˜ˆ์ˆ ๊ณผ, ์˜์™•, ํ•œ๊ตญ (์˜จ๋ผ์ธ)
2020 @{X-ROOM} ์•„ํ‹ฐ์ŠคํŠธ{ํ†ก} (์ผ๋ฏผ๋ฏธ์ˆ ๊ด€), ์นด์นด์˜คํ†ก ์˜คํ”ˆ ์ฑ„ํŒ… ๋ฐ ์œ ํŠœ๋ธŒ ๋ผ์ด๋ธŒ, ์˜จ๋ผ์ธ
2020 ๋‰ด๋…ธ๋ฉ€ ํ† ํฌ, ์ธ์Šคํƒ€๊ทธ๋žจ ๋ผ์ด๋ธŒ, ์˜จ๋ผ์ธ ๐Ÿˆ  
2019 ์–‘๊ฐ์˜ ๊ธฐ์ˆ  ํ† ํฌ, ์˜คํผ์„ผํŠธ, ์„œ์šธ, ํ•œ๊ตญ  
2019 ๋™์„ฑ์บ‰์บ‰ ํ† ํฌ, ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€, ์„œ์šธ, ํ•œ๊ตญ



์ถœํŒ / ๋ณด๋„

2021 โ€˜๊ธฐ์ƒ์ถฉ์˜ ์•ฝ์†: ํ€ด์–ด์˜ ํ๋ฆ„, ํ€ด์–ด๋‹ˆ์Šค์˜ ํ™”ํ, ๊ทธ๋ฆฌ๊ณ  ๋“€ํ‚ด์˜ ๋ผํŠธ๋ฆฐ์‹œ์•„: ์ƒˆ๋กœ์šด ์œ ํ† ํ”ผ์•„โ€™ - ์•ค๋“œ๋ฃจ ์ปค๋ฐ์ฆˆ, ์—์„ธ์ด, ๋” ์ฝ”ํ†จ๋“œ (12์›”) ๎ฃ๏ธŽ
2021 โ€˜ํŽœ๋“€๋ ˆ์ดํŒ… ์•„์ด๋ดํ‹ฐํ‹ฐ์ฆˆ: ๋” ๋””์ง€ํ„ธ ๋”๋ธ”์Šค ์˜ค๋ธŒ ์ฝ”๋ฆฌ์•ˆ ์•„ํ‹ฐ์ŠคํŠธ - ์ฒœ๋ฏธ์ง„โ€™, ๋น„ํ‰, ์•„ํŠธ์•„์‹œ์•„ํผ์‹œํ”ฝ (9์›”) ๎ฃ๏ธŽ
2021 โ€˜์‹ ์ธ๋ฅ˜ ํ”„๋กœ์ ํŠธ : ์ •์กฐ๋Œ€๋ฅผ ์ฐพ์•„์„œ - ํ—ˆ๋‹ˆ๋“€โ€˜, ์—์„ธ์ด, ์›น์ง„ ์„ธ๋ฏธ๋‚˜ 7ํ˜ธ (5์›”) ๐Ÿˆ ๎ฃ๏ธŽ
2021 โ€˜ํ—ˆ๋‹ˆ๋“€(a.k.a Dew Kim) ์นœ์• ํ•˜๋Š” ๊ณตํฌ์—๊ฒŒ - ํ™ํƒœ๋ฆผโ€™, ๋ฆฌ๋ทฐ, ์›”๊ฐ„๋ฏธ์ˆ  434ํ˜ธ (3์›”) ๐Ÿˆ
2020 โ€˜ํ… ์ปจํ…œํผ๋Ÿฌ๋ฆฌ ์•„ํ‹ฐ์ŠคํŠธ ํ›„ ์…€๋Ÿฌ๋ธŒ๋ ˆ์ดํŠธ ํ€ด์–ด๋‹ˆ์Šค - ๋น…ํ„ฐ ์…ฐ์ด๊ฑธ๋Ÿฐ๋“œโ€™, ๊ธฐ์‚ฌ, ๋ฃจ์Šค ๋ฐ€๋งํ†ค (12์›”) ๎ฃ๏ธŽ
2020 โ€˜์™“ ํˆฌ ์”จ ์ธ ์„œ์šธ (๋น„ํŠธ์œˆ ๋ฝ๋‹ค์šด์Šค) - ์•ค๋”” ์„ธ์ธํŠธ ๋ฃจ์ด์Šคโ€™, ๊ธฐ์‚ฌ, ์•„ํŠธ๋ฆฌ๋ทฐ (6์›”) ๎ฃ๏ธŽ

2020 โ€˜๋˜ ๋‹ค๋ฅธ ๊ฐ€์กฑ์„ ์ฐพ์•„์„œโ€™, ๊ธฐ์‚ฌ, ์ดํ”Œ๋Ÿญ์Šค (5์›”) ๎ฃ๏ธŽ
2020 โ€˜๋‰ด๋…ธ๋ฉ€โ€™, ์นดํƒˆ๋กœ๊ทธ, 6699press - ํ•œ๊ตญ๋ฌธํ™”์˜ˆ์ˆ ์œ„์›ํšŒ ํ›„์› (5์›”) ๐Ÿˆ
2020 โ€˜ํ”ผ๋“œ ๋งˆ์ด ์ฟผ๋Ÿฐํ‹ดโ€™, ์›น์ง„, ๋ฐ”์ด ์–ดํฌ์ธํŠธ๋จผํŠธ ์˜จ๋ฆฌ (4์›”) ๎ฃ๏ธŽ
2020 โ€˜๋‰ด๋…ธ๋ฉ€ - ์ด์—ฐ์ˆ™โ€™, ๋ฆฌ๋ทฐ, ์›”๊ฐ„๋ฏธ์ˆ  423ํ˜ธ (4์›”) ๐Ÿˆ
2019 โ€˜ํ™”ํ˜•โ€™, ์นดํƒˆ๋กœ๊ทธ - ๋Œ€์ „๋ฌธํ™”์žฌ๋‹จ ํ›„์› (11์›”)

2019 โ€˜ํฌ๋ฃจ์ง•์˜ ์ˆ˜ํ–‰์ž๋“ค <๋™์„ฑ์บ‰์บ‰>์ „ - ์–‘์ง€์œคโ€™, ๋ฆฌ๋ทฐ, ํผ๋ธ”๋ฆญ์•„ํŠธ 155ํ˜ธ (8์›”) ๎ฃ๏ธŽ
2019 โ€˜๋™์„ฑ์บ‰์บ‰โ€™, ์นดํƒˆ๋กœ๊ทธ, ์ž๊ฐ€ ์ถœํŒ (7์›”)
2019 '๋“€ํ‚ด ์ธํ„ฐ๋ทฐ', ์ธํ„ฐ๋ทฐ, ๋””:ํฌ๋ฉ€ ๊ฐค๋Ÿฌ๋ฆฌ (2์›”) ๎ฃ๏ธŽ
2018 '์ฐฝ์ž‘์ž-์†Œ๋น„์ž ๊ฐ„์˜ ๊ฐญ', ์ธํ„ฐ๋ทฐ, ๋งค๊ฑฐ์ง„ ํด๋ง 1ํ˜ธ (12์›”)
2018 'ํด๋ฆฌ ๋ณด์ด์‹œ์Šค', ์ธํ„ฐ๋ทฐ, ๋งค๊ฑฐ์ง„ ๋ ์Šค ํ”„๋กœ์ ํŠธ 3ํ˜ธ (10์›”)
2018 โ€˜๋‚ด๊ฐ€ ์กฐ๊ธˆ ๋” ์„ค๋  ์ˆ˜ ์žˆ๊ฒŒ โ™ก Purple Kissโ€™, ์นดํƒˆ๋กœ๊ทธ - ์„œ์šธ๋ฌธํ™”์žฌ๋‹จ ํ›„์› (10์›”)
2018 '์‹œ์นด ์•„ํŠธ ๋‚˜์šฐ 2018', ์นดํƒˆ๋กœ๊ทธ, ์‹œ์นด๋ฏธ์ˆ ๊ด€ (8์›”)
2018 '๊ทธ๋ฆฐ/๊ณค์ž˜๋ ˆ์Šค์™€ ๋” ์ฒ˜์น˜ ์˜ค๋ธŒ ์ต์ŠคํŒฌ๋””๋“œ ํ…”๋ ˆํŒŒ์‹œ', ์ธํ„ฐ๋ทฐ, ์•„ํŠธ ๋ฒ ๋ฅผ๋ฆฐ (2์›”)
2017 '์–ธ์  ๋”, ๋””ํ”„๋กœ๊ทธ๋žจ, ์œ ๋ฆฌ๋„ค์ดํŠธ: ์ž„ํ”„๋ฃจ๋ธŒ ์œ ์–ด ๋ผ์ดํ”„ ์œ„๋“œ ํฌ์ŠคํŠธ-์‚ฌ์ด๋ฒ„ ์ธํ„ฐ๋‚ด์…”๋„ ํŽ˜๋ฏธ๋‹ˆ์ฆ˜!โ€™, ๊ธฐ์‚ฌ, ๊ฐ€๋””์–ธ (11์›”)
2017 'ํ•˜์šฐ ์บ” ํŽ˜๋ฏธ๋‹ˆ์ŠคํŠธ ์•ค ํ€ด์–ด ํ”„๋ž™ํ‹ฐ์‹œ์ฆˆ ์ž„ํŒฉํŠธ ํ“จ์ณ ํ…Œํฌ๋†€๋กœ์ง€?', ๊ธฐ์‚ฌ, ๋ฐ์ด์ฆˆ๋“œ ๋””์ง€ํ„ธ (11์›”)
2016 '์Šคํ‹ฐํ‚ค', ์ธํ„ฐ๋ทฐ, ์‹œ๋Ÿฝ ๋งค๊ฑฐ์ง„ 1ํ˜ธ (11์›”)
2016 '๋ฐ์“ฐ ์•ค ๋กœ๋งจ์Šค (ํ”„๋žญ์ฝ” ๋น„์˜ ์›Œํฌ์ˆ)', ์นดํƒˆ๋กœ๊ทธ, ํŒ”๋ผ์ดˆ ๋ฃจ์นด๋ฆฌ๋‹ˆ ์ปจํ…œํฌ๋Ÿฌ๋ฆฌ (10์›”)
2016 โ€˜์ดˆ๋ด„ Two Seeds of Early Spring (์ œ๋ผ๋ฅด๋„ ์ฐจ๋ฒ ์Šค-๋งˆ์ž์™€ ์ธํ„ฐ๋ทฐ)โ€™, ์ธํ„ฐ๋ทฐ (2์›”)
2015 '๋””์˜ค๋‹ˆ์‹œ์•„: ๋” ํŠธ๋ฃจ ์Šคํ† ๋ฆฌ ์˜ค๋ธŒ ๋งˆ์ด ๋ฆด๋ ˆ์ด์…˜์‰ฝ ์œ„๋“œ ๋งˆ์ด ๋ฐ”๋””', ์šฐ์ˆ˜๋…ผ๋ฌธ, ์˜๊ตญ์™•๋ฆฝ์˜ˆ์ˆ ํ•™๊ต (10์›”)
2012 'ใ…†ใ…‚', ์ธํ„ฐ๋ทฐ, ๋””๋…ธ๋งˆ๋“œ 11ํ˜ธ (9์›”)
2011 '๋ฐ์ด์ฆˆ๋“œ X ๊ทธ๋กค์‰ฌ ์•„ํŠธ ์ฝœ๋ผ๋ณด๋ ˆ์ด์…˜โ€™, ๋ฐ์ด์ฆˆ๋“œ ์•ค ์ปจํ“จ์ฆˆ๋“œ ์ฝ”๋ฆฌ์•„ 38ํ˜ธ (6์›”)