Dew Kim


a.k.a. Huh, Need-you ๐Ÿˆ
holyhornyhoneydew@gmail.com
artist statement ๎„ด๏ธŽ
(Korean below ํ•œ๊ตญ์–ด๋Š” ์•„๋ž˜)



Education

2016 MA Sculpture, Royal College of Art, London, UK (Distinction)
2013 BFA Metalsmithing and Jewelry, College of Art and Design, Konkuk University, Chungju, Korea



Solo Shows

2020-2021 Dear Fear, Osisun & out_sight, Seoul, Korea ๐Ÿˆ (Upcoming-December, 2020 & April, 2021)
2019 Fire and Faggot, Artist Residency TEMI, Daejeon, Korea
2018 My First Date (Obviously Video #8), Eulji Space, Seoul, Korea (Screening & Performance)
2018 Purple Kiss โ™ก, Archive Bomm, Seoul, Korea
2018 Succulent Humans, Art Space Grove, Seoul, Korea



Group Shows

2020
ALWAYS A DREAMER but testing the waters, ABRIR, Online ๐Ÿˆ (Upcoming-November, 2020)
Tangible Error, d/p, Seoul, Korea
Ghost Coming 2020 {X-ROOM}, Ilmin Museum of Art, Seoul, Korea 

The Old and Wrong Way of Seeing Things (Hoso Terra Toma X Dew Kim) , National Museum of Modern and Contemporary Art (MMCA), Seoul, Korea (Performance) ๎€ ๏ธŽ
2020 Asia Project: Looking for Another Family, National Museum of Modern and Contemporary Art (MMCA), Seoul, Korea ๎ฃ๏ธŽ
The Queers are Here, Steak Film with Perpetual Spring, National Museum of Modern and Contemporary Art (MMCA), Seoul, Korea (Screening & Talk)
New Normal, Old House, Seoul, Korea ๐Ÿˆ
When it Waxes, it Wanes: Transcultural Transformation, VBKร–, Vienna, Austria

2019
Diastรจma, Viafarini-in-residence, Milan, Italy (Screening)
Project Space Festival Juรกrez, Ciudad Juรกrez, Mexico (Screening)
Otros Cuerpos (Ciclo Cuerpos), Club Cultural Matienzo, Buenos Aires, Argentina (Screening)
The Art of Relief, 5%, Seoul, Korea
Gender Hierarchy: Recycling its Errors, Space One, Seoul, Korea
PERFORM 2019: LinkIn-out, Ilmin Museum of Art, Seoul & Asia Culture Center, Gwangju, Korea
Can-Can Boys, artbn, Seoul, Korea
Ann Arbor Film Festival, Michigan Theater, Ann Arbor, US (Screening)

2018
Very High Surfaces, HIGHTIDE, Fukuoka, Japan
Gender Hierarchy, Grey Projects, Singapore
Beyond the Moon, Haus am Lรผtzowplatz, Berlin, Germany
Starring, Laser, Seoul, Korea

2017
Post-Cyber Feminist International, Institute of Contemporary Arts (ICA), London, UK (Screening & Talk) ๎ฃ๏ธŽ
Buttersรคure-Senf, PILOTENKUECHE, Leipzig, Germany
Uns Gefรคllt Alles, Galerie Bipolar, Leipzig, Germany
PSi#23 "OverFlow", Kampnagel, Hamburg, Germany (Performance)
A Pond Skater (2 person show with Se Hee Kang), Art Space Ttang Sok, Seoul, Korea

2016
Cuerpos Proliferados (Ciclo Cuerpos), Club Cultural Matienzo, Buenos Aires, Argentina (Screening)
Buenos Aires Biennial of the Moving Image (BIM), Centro Cultural Recoleta, Buenos Aires, Argentina (Screening) ๎ฃ๏ธŽ
ASTERISCO (Festival Internacional de cine LGBTIQ), Casa Brandon, Buenos Aires, Argentina (Screening & Performance)
Sticky, The Nines Peckham, London, UK (Screening)
Death & Romance, Palazzo Lucarini Contemporary, Trevi, Italy (Performance)
Show RCA, Royal College of Art, London, UK
SWEAT, Camden Arts Centre, London, UK
Line of Beauty, Islington Arts Factory, London, UK
Two Seeds of Early Spring (2 person show with Jinhee Park), Hockey Gallery, London, UK

2015
Stewarts Law RCA Secret, Dyson Gallery, London, UK & Art Dubai, Dubai, UAE
RCA@ECA, Sculpture Court, Edinburgh College of Art, Edinburgh, UK

2014
SKIN/CELLS, Rose Lipman Building, London, UK

2012
Electronic Magic Supersonic Bionic Energy (Gallery Limited), Ilmin Museum of Art, Seoul, Korea



Projects / Events

2019 Seoul Pride Fair, DDP, Seoul, Korea
2018 al_Dew Kim_HIGHTIDE, HIGHTIDE, Fukuoka, Japan
2018 MASKA X DEW KIM 'Dreamer to reality', MASKA, Seoul, Korea
2015 Offprint London, Tate Modern Turbine Hall, London, UK
2013 Bushwick Open Studios, Space 776, New York, US
2013 The Black Party, Saint At Large, New York, US
2011 Dazed X Grolsch Art Collaboration, Dazed Korea, Seoul, Korea
2011 Sex Party in Shortbus (Design & Art Fair 2011), Hangaram Design Museum of Seoul Arts Center, Seoul, Korea



Awards / Grants

2020 Project Grant, Seoul Foundation for Arts and Culture, Seoul, Korea
2018 The First Art Creation Support, Seoul Foundation for Arts and Culture, Seoul, Korea
2017 CICA Young Korean Artists, CICA Museum, Gimpo, Korea
2016 Emerald Winter Pride Art Awards, Winter Pride, London, UK
2015 The Overseas Bursary, Royal College of Art, London, UK
2013 Korea Eyewear Design Competition, KOISC, Daegu, Korea
2011 Young Artist Awards "New B" (Design & Art Fair 2011), Design Jungle, Seoul, Korea



Residencies

2020 Seoul Art Space Geumcheon, Seoul, Korea (January-Present)
2019 Artist Residency TEMI, Daejeon, Korea (January-December)
2018 Studio AAST, Seoul, Korea (February-December)
2017 Art Space O, Seoul, Korea (December)
2017 PILOTENKUECHE, Leipzig, Germany (June-September)
2016 Pinea-Linea de Costa, Rota, Spain (October)
2016 Death & Romance (A workshop with Franko B), Palazzo Lucarini Contemporary, Trevi, Italy (August-September)
2015 Citรฉ Internationale des Arts, Paris, France (April-July) - with support of Royal College of Art



Talks

2020 @{X-ROOM} ARTIST{TALK} by Ilmin Museum of Art, KakaoTalk Open Chat & YouTube Live, Online
2020 New Normal Talk, Instagram Live, Online ๐Ÿˆ
2019 The Art of Relief Talk, 5%, Seoul, Korea
2019 Can-Can Boys Talk, National Museum of Modern and Contemporary Art (MMCA), Seoul, Korea



Publications

2020 โ€˜What to See in Seoul (Between Lockdowns)โ€˜ by Andy St. Louis, Article, ArtReview (June) ๎ฃ๏ธŽ
2020 โ€˜Looking for another familyโ€™, Article, e-flux (May) ๎ฃ๏ธŽ
2020 โ€˜New Normalโ€™, Catalogue, 6699press with support of Arts Council Korea (May) ๐Ÿˆ
2020 โ€˜Feed My Quaranteinโ€™ Webzine, By Appointment Only (April) ๎ฃ๏ธŽ
2020 โ€˜New Normal by Yeonsook Leeโ€˜, Review, Monthly Art Magazine No.423 (April) ๐Ÿˆ
2019 โ€˜Fire and Faggotโ€™, Catalogue - with support of Daejeon Culture and Arts Foundation (November)
2019 โ€˜Endeavorers for Cruising (An Exhibition โ€˜Can-Can Boysโ€™) by Jiyoon Yangโ€™, Review, Public Art Magazine No.155 (August) ๎ฃ๏ธŽ
2019 โ€˜Can-Can Boysโ€™, Catalogue, Self-publishing (July)
2019 'Interview with Dew Kim', DE:FORMAL Gallery (February) ๎ฃ๏ธŽ
2018 'The Gap between Creators-Consumers', Interview, Magazine Cling Issue.1 (December)
2018 'Poly Voices', Interview, Magazine Lungs Project Issue.3 (October)
2018 โ€˜Purple Kiss โ™กโ€™, Catalogue - with support of Seoul Foundation for Arts and Culture (October)
2018 'CICA Art Now 2018', Catalogue, CICA Museum (August)
2018 'Green/Gonzalez & The Church of Expanded Telepathy', Interview, Art Berlin (February)
2017 'Ungender, deprogram, urinate: improve your life with post-cyber international feminism!', Article, The Guardian (November)
2017 'How can feminist & queer practices impact future technology?', Article, Dazed Digital (November)
2016 'Sticky', Interview, SYRUP Magazine, Vol.1 (November)
2016 'Death & Romance (A workshop with Franko B)', Catalogue, Palazzo Lucarini Contemporary (October)
2016 โ€˜Two Seeds of Early Spring (Inteviewed by Gerardo Chavez-Maza)โ€™, Interview (February)
2015 'DIONYSIA: The True Story of My Relationship with My Body', Distinction Awarded Dissertation, Royal College of Art (October)
2012 'ใ…†ใ…‚', Interview, D.NOMADE Magazine Vol.11 (September)
2011 'Dazed x Grolsch Art Collaboration', Dazed & Confused Korea Vol.38 (June)






ํ•™๋ ฅ  

2016 ์˜๊ตญ์™•๋ฆฝ์˜ˆ์ˆ ํ•™๊ต ์กฐ์†Œ๊ณผ ์„์‚ฌ ์กธ์—… (์šฐ์ˆ˜๋…ผ๋ฌธ)
2013 ๊ฑด๊ตญ๋Œ€ํ•™๊ต ๋””์ž์ธ์กฐํ˜•๋Œ€ํ•™ ๊ธˆ์†๊ณต์˜ˆ ํ•™์‚ฌ ์กธ์—…



๊ฐœ์ธ์ „  

2020-2021 ์นœ์• ํ•˜๋Š” ๊ณตํฌ์—๊ฒŒ, ์˜ค์‹œ์„  & ์•„์›ƒ์‚ฌ์ดํŠธ, ์„œ์šธ, ํ•œ๊ตญ ๐Ÿˆ (2020.12์›” & 2021.4์›” ์˜ˆ์ •)
2019 ํ™”ํ˜•, ํ…Œ๋ฏธ์˜ˆ์ˆ ์ฐฝ์ž‘์„ผํ„ฐ, ๋Œ€์ „, ํ•œ๊ตญ
2018 ์ฒซ ๋ฒˆ์งธ ๋ฐ์ดํŠธ (์•ˆ๋ด๋„ ๋น„๋””์˜ค #8), ์„์ง€๊ณต๊ฐ„, ์„œ์šธ, ํ•œ๊ตญ (์Šคํฌ๋ฆฌ๋‹ & ํผํฌ๋จผ์Šค)
2018 ๋‚ด๊ฐ€ ์กฐ๊ธˆ ๋” ์„ค๋  ์ˆ˜ ์žˆ๊ฒŒ โ™ก Purple Kiss, ์•„์นด์ด๋ธŒ ๋ด„, ์„œ์šธ, ํ•œ๊ตญ
2018, ๋‹ค์œก์ธ๊ฐ„, ์•„ํŠธ์ŠคํŽ˜์ด์Šค ๊ทธ๋กœ๋ธŒ, ์„œ์šธ, ํ•œ๊ตญ



๊ทธ๋ฃน์ „  

2020
์˜ฌ์›จ์ด์ฆˆ ์–ด ๋“œ๋ฆฌ๋จธ ๋ฒ— ํ…Œ์ŠคํŒ… ๋” ์›Œํ„ฐ์ฆˆ, ABRIR, ์˜จ๋ผ์ธ ๐Ÿˆ (2020.11์›” ์˜ˆ์ •)
ํƒ ์ €๋ธ” ์—๋Ÿฌ, d/p, ์„œ์šธ, ํ•œ๊ตญ 
๊ณ ์ŠคํŠธ์ปค๋ฐ 2020 {X-ROOM}, ์ผ๋ฏผ๋ฏธ์ˆ ๊ด€, ์„œ์šธ, ํ•œ๊ตญ
์‚ฌ๋ฌผ์„ ๋ณด๋Š” ๋‚ก๊ณ  ์ž˜๋ชป๋œ ๋ฐฉ์‹ (ํ˜ธ์†Œ ํ…Œ๋ผ ํ† ๋งˆ X ๋“€ํ‚ด), ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€, ์„œ์šธ, ํ•œ๊ตญ (ํผํฌ๋จผ์Šค) ๎€ ๏ธŽ
2020 ์•„์‹œ์•„ ๊ธฐํš์ „: ๋˜ ๋‹ค๋ฅธ ๊ฐ€์กฑ์„ ์ฐพ์•„์„œ, ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€, ์„œ์šธ, ํ•œ๊ตญ  ๎ฃ๏ธŽ
ํ€ด์–ด๋“ค์ด ์—ฌ๊ธฐ ์žˆ์–ด์š”, ์Šคํ…Œ์ดํฌ ํ•„๋ฆ„ with ์˜์›ํ•œ ๋ด„, ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€, ์„œ์šธ, ํ•œ๊ตญ (์Šคํฌ๋ฆฌ๋‹ & ํ† ํฌ)
๋‰ด๋…ธ๋ฉ€, ์˜ค๋ž˜๋œ ์ง‘, ์„œ์šธ, ํ•œ๊ตญ ๐Ÿˆ
์›ฌ ์ž‡ ์™์‹œ์ฆˆ, ์ž‡ ์›จ์ธ์ฆˆ: ํŠธ๋žœ์Šค์ปฌ์ฒ˜๋Ÿด ํŠธ๋žœ์Šคํฌ๋ฉ”์ด์…˜, VBKร–, ๋นˆ, ์˜ค์ŠคํŠธ๋ฆฌ์•„   

2019
๋””์•„์Šคํ…Œ๋งˆ, ๋น„์•„ํŒŒ๋ฆฌ๋‹ˆ-์ธ-๋ ˆ์ง€๋˜์Šค, ๋ฐ€๋ผ๋…ธ, ์ดํƒˆ๋ฆฌ์•„ (์Šคํฌ๋ฆฌ๋‹)
ํ”„๋กœ์ ํŠธ ์ŠคํŽ˜์ด์Šค ํŽ˜์Šคํ‹ฐ๋ฒŒ ํ›„์•„๋ ˆ์Šค, ์‹œ์šฐ๋‹ค๋“œ ํ›„์•„๋ ˆ์Šค, ๋ฉ•์‹œ์ฝ” (์Šคํฌ๋ฆฌ๋‹)    
์˜คํŠธ๋กœ์Šค ์ฟ ์—๋ฅดํฌ์Šค (์‹œํด๋กœ ์ฟ ์—๋ฅดํฌ์Šค), ํด๋Ÿฝ ์ปฌํˆฌ๋ž„ ๋งˆํ‹ฐ์—”์กฐ, ๋ถ€์—๋…ธ์Šค ์•„์ด๋ ˆ์Šค, ์•„๋ฅดํ—จํ‹ฐ๋‚˜ (์Šคํฌ๋ฆฌ๋‹)
์–‘๊ฐ์˜ ๊ธฐ์ˆ , ์˜คํผ์„ผํŠธ, ์„œ์šธ, ํ•œ๊ตญ    
์  ๋”+๊ธฐ์ˆ : ์˜ค๋ฅ˜์˜ ์žฌ์ƒ, ์ŠคํŽ˜์ด์Šค ์›, ์„œ์šธ, ํ•œ๊ตญ
ํผํผ 2019: ๋ฆฐํ‚จ์•„์›ƒ, ์ผ๋ฏผ๋ฏธ์ˆ ๊ด€, ์„œ์šธ & ๊ตญ๋ฆฝ์•„์‹œ์•„๋ฌธํ™”์ „๋‹น, ๊ด‘์ฃผ, ํ•œ๊ตญ
๋™์„ฑ์บ‰์บ‰, ์•„ํŠธ๋น„์•ค, ์„œ์šธ, ํ•œ๊ตญ
์•ค ์•„๋ฒ„ ์˜ํ™”์ œ, ๋ฏธ์‹œ๊ฐ„ ๊ทน์žฅ, ์•ค ์•„๋ฒ„, ๋ฏธ๊ตญ (์Šคํฌ๋ฆฌ๋‹)     

2018
๋ฒ ๋ฆฌ ํ•˜์ด ์„œํŽ˜์ด์‹œ์Šค, ํ•˜์ดํƒ€์ด๋“œ, ํ›„์ฟ ์˜ค์นด, ์ผ๋ณธ
์  ๋” ํ•˜์ด๋ผํ‚ค, ๊ทธ๋ ˆ์ด ํ”„๋กœ์ ํŠธ, ์‹ฑ๊ฐ€ํฌ๋ฅด
๋น„์š˜๋“œ ๋” ๋ฌธ, ํ•˜์šฐ์Šค ์•” ๋คผ์ดˆ๋ธŒํ”Œ๋ผ์ธ , ๋ฒ ๋ฅผ๋ฆฐ, ๋…์ผ     
๋ณ„์ง“, ๋ ˆ์ด์ €, ์„œ์šธ, ํ•œ๊ตญ

2017
ํฌ์ŠคํŠธ-์‚ฌ์ด๋ฒ„ ํŽ˜๋ฏธ๋‹ˆ์ŠคํŠธ ์ธํ„ฐ๋‚ด์…”๋„, ์ธ์Šคํ‹ฐํŠœํŠธ ์˜ค๋ธŒ ์ปจํ…œํฌ๋Ÿฌ๋ฆฌ ์•„ํŠธ (ICA), ๋Ÿฐ๋˜, ์˜๊ตญ (์Šคํฌ๋ฆฌ๋‹ & ํ† ํฌ) ๎ฃ๏ธŽ
๋ถ€ํ…Œ๋ฅดํ…Œ์Šˆ-์„ผํ”„, ํ•„๋กœํ…์ฟ ์—์ฒด PILOTENKUECHE, ๋ผ์ดํ”„์น˜ํžˆ, ๋…์ผ
์šด์Šค ๊ฒŒํŽ ํŠธ ์•Œ๋ ˆ์Šค,  ๊ฐค๋Ÿฌ๋ฆฌ ๋น„ํด๋ผ, ๋ผ์ดํ”„์น˜ํžˆ, ๋…์ผ
PSi#23 โ€œ์˜ค๋ฒ„ํ”Œ๋กœ์šฐโ€, ์บ„ํŒŒ๊ฒ”, ํ•จ๋ถ€๋ฅดํฌ, ๋…์ผ (ํผํฌ๋จผ์Šค)
์†Œ๊ธˆ์Ÿ์ด (๊ฐ•์„ธํฌ์™€ 2์ธ์ „), ์˜ˆ์ˆ ๊ณต๊ฐ„ ๋•…์†, ์„œ์šธ, ํ•œ๊ตญ

2016
์ฟ ์—๋ฅดํฌ์Šค ํ”„๋กค๋ฆฌํŽ˜๋ผ๋„์Šค (์‹œํด๋กœ ์ฟ ์—๋ฅดํฌ์Šค), ํด๋Ÿฝ ์ปฌํˆฌ๋ž„ ๋งˆํ‹ฐ์—”์กฐ, ๋ถ€์—๋…ธ์Šค ์•„์ด๋ ˆ์Šค, ์•„๋ฅดํ—จํ‹ฐ๋‚˜ (์Šคํฌ๋ฆฌ๋‹)
๋ถ€์—๋…ธ์Šค ์•„์ด๋ ˆ์Šค ๋ฌด๋น™์ด๋ฏธ์ง€ ๋น„์—”๋‚ ๋ ˆ BIM, ์„ผํŠธ๋กœ ์ปฌํˆฌ๋ž„ ๋ ˆ์ฝœ๋ ˆํƒ€, ๋ถ€์—๋…ธ์Šค ์•„์ด๋ ˆ์Šค, ์•„๋ฅดํ—จํ‹ฐ๋‚˜ (์Šคํฌ๋ฆฌ๋‹)
์•„์Šคํ…Œ๋ฆฌ์Šค์ฝ” ASTERISCO (LGBTIQ ๊ตญ์ œ ์˜ํ™”์ œ), ์นด์‚ฌ ๋ธŒ๋ž€๋˜, ๋ถ€์—๋…ธ์Šค ์•„์ด๋ ˆ์Šค, ์•„๋ฅดํ—จํ‹ฐ๋‚˜ (์Šคํฌ๋ฆฌ๋‹ & ํผํฌ๋จผ์Šค) 
์Šคํ‹ฐํ‚ค, ๋” ๋‚˜์ธ ํŒฉํ–„, ๋Ÿฐ๋˜, ์˜๊ตญ (์Šคํฌ๋ฆฌ๋‹) 
๋ฐ์“ฐ ์•ค ๋กœ๋งจ์Šค, ํŒ”๋ผ์ดˆ ๋ฃจ์นด๋ฆฌ๋‹ˆ ์ปจํ…œํฌ๋Ÿฌ๋ฆฌ, ํŠธ๋ ˆ๋น„, ์ดํƒˆ๋ฆฌ์•„ (ํผํฌ๋จผ์Šค)
์‡ผ RCA, ์˜๊ตญ์™•๋ฆฝ์˜ˆ์ˆ ํ•™๊ต, ๋Ÿฐ๋˜, ์˜๊ตญ
์Šค์›ป, ์บ ๋“ ์•„ํŠธ์„ผํ„ฐ, ๋Ÿฐ๋˜, ์˜๊ตญ
๋ผ์ธ ์˜ค๋ธŒ ๋ทฐํ‹ฐ, ์ด์Šฌ๋งํ„ด ์•„ํŠธ ํŒฉํ† ๋ฆฌ, ๋Ÿฐ๋˜, ์˜๊ตญ
์ดˆ๋ด„ Two Seeds of Early Spring (๋ฐ•์ง„ํฌ์™€ 2์ธ์ „), ํ˜ธํฌ๋‹ˆ ๊ฐค๋Ÿฌ๋ฆฌ, ๋Ÿฐ๋˜, ์˜๊ตญ

2015
RCA ์‹œํฌ๋ฆฟ, ๋‹ค์ด์Šจ ๊ฐค๋Ÿฌ๋ฆฌ, ๋Ÿฐ๋˜, ์˜๊ตญ & ์•„ํŠธ๋‘๋ฐ”์ด, ๋‘๋ฐ”์ด, ์•„๋ž ์—๋ฏธ๋ ˆ์ดํŠธ
RCA@ECA, ์Šค์ปฌ์ณ ์ฝ”ํŠธ, ์—๋“ ๋ฒ„๋Ÿฌ ๋Œ€ํ•™๊ต, ์—๋“ ๋ฒ„๋Ÿฌ, ์˜๊ตญ

2014
์Šคํ‚จ/์…€์ฆˆ, ๋กœ์ฆˆ ๋ฆฝ๋จผ ๋นŒ๋”ฉ, ๋Ÿฐ๋˜, ์˜๊ตญ

2012
์ผ๋ ‰ํŠธ๋กœ๋‹‰ ๋งค์ง ์Šˆํผ์†Œ๋‹‰ ๋ฐ”์ด์˜ค๋‹‰ ์—๋„ˆ์ง€ (๊ฐค๋Ÿฌ๋ฆฌ ๋ฆฌ๋ฏธํ‹ฐ๋“œ), ์ผ๋ฏผ๋ฏธ์ˆ ๊ด€, ์„œ์šธ, ํ•œ๊ตญ    



ํ”„๋กœ์ ํŠธ / ์ด๋ฒคํŠธ

2019 ์„œ์šธํ”„๋ผ์ด๋“œํŽ˜์–ด, ๋™๋Œ€๋ฌธ๋””์ž์ธํ”Œ๋ผ์ž, ์„œ์šธ, ํ•œ๊ตญ
2018 ์•„์—˜_๋“€ํ‚ด_ํ•˜์ดํƒ€์ด๋“œ, ํ•˜์ดํƒ€์ด๋“œ, ํ›„์ฟ ์˜ค์นด, ์ผ๋ณธ
2018 ๋งˆ์Šค์นด X ๋“€ํ‚ด โ€˜๋“œ๋ฆฌ๋จธ ํˆฌ ๋ฆฌ์–ผ๋ฆฌํ‹ฐ', ๋งˆ์Šค์นด, ์„œ์šธ, ํ•œ๊ตญ
2015 ์˜คํ”„ํ”„๋ฆฐํŠธ ๋Ÿฐ๋˜, ํ…Œ์ดํŠธ ๋ชจ๋˜ ํ„ฐ๋นˆํ™€, ๋Ÿฐ๋˜, ์˜๊ตญ
2013 ๋ถ€์‹œ์œ… ์˜คํ”ˆ ์ŠคํŠœ๋””์˜ค, ์ŠคํŽ˜์ด์Šค 776, ๋‰ด์š•, ๋ฏธ๊ตญ
2013 ๋” ๋ธ”๋ž™ ํŒŒํ‹ฐ, ์„ธ์ธํŠธ ์•ณ ๋ผ์ง€, ๋‰ด์š•, ๋ฏธ๊ตญ
2011 ๋ฐ์ด์ฆˆ๋“œ X ๊ทธ๋กค์‰ฌ ์•„ํŠธ ์ฝœ๋ผ๋ณด๋ ˆ์ด์…˜, ๋ฐ์ด์ฆˆ๋“œ ์ฝ”๋ฆฌ์•„, ์„œ์šธ, ํ•œ๊ตญ
2011 ์„น์ŠคํŒŒํ‹ฐ ์ธ ์ˆ๋ฒ„์Šค (๋””์ž์ธ์•„ํŠธํŽ˜์–ด 2011), ํ•œ๊ฐ€๋žŒ๋””์ž์ธ๋ฏธ์ˆ ๊ด€, ์˜ˆ์ˆ ์˜ ์ „๋‹น, ์„œ์šธ, ํ•œ๊ตญ  



์ˆ˜์ƒ / ๊ธฐ๊ธˆ   

2020 ์˜ˆ์ˆ ์ฐฝ์ž‘ํ™œ๋™์ง€์›, ์„œ์šธ๋ฌธํ™”์žฌ๋‹จ, ์„œ์šธ, ํ•œ๊ตญ  
2018 ์ตœ์ดˆ์˜ˆ์ˆ ์ง€์›, ์„œ์šธ๋ฌธํ™”์žฌ๋‹จ, ์„œ์šธ, ํ•œ๊ตญ   
2017 ์‹œ์นด ์˜ ์ฝ”๋ฆฌ์•ˆ ์•„ํ‹ฐ์ŠคํŠธ, ์‹œ์นด๋ฏธ์ˆ ๊ด€, ๊น€ํฌ, ํ•œ๊ตญ   
2016 ์—๋ฉ”๋ž„๋“œ ์œˆํ„ฐ ํ”„๋ผ์ด๋“œ ์•„ํŠธ ์–ด์›Œ๋“œ, ์œˆํ„ฐ ํ”„๋ผ์ด๋“œ, ๋Ÿฐ๋˜, ์˜๊ตญ  
2015 ๊ตญ์™ธํ•™์ƒ์žฅํ•™๊ธˆ, ์˜๊ตญ์™•๋ฆฝ์˜ˆ์ˆ ํ•™๊ต, ๋Ÿฐ๋˜, ์˜๊ตญ   
2013 ๋Œ€ํ•œ๋ฏผ๊ตญ ์•ˆ๊ฒฝ๋””์ž์ธ ๊ณต๋ชจ์ „, ํ•œ๊ตญ์•ˆ๊ฒฝ์‚ฐ์—…์ง€์›์„ผํ„ฐ, ๋Œ€๊ตฌ, ํ•œ๊ตญ 
2011 ์‹ ์ง„ ์•„ํ‹ฐ์ŠคํŠธ โ€œNew Bโ€ (๋””์ž์ธ์•„ํŠธํŽ˜์–ด 2011), ๋””์ž์ธ ์ •๊ธ€, ์„œ์šธ, ํ•œ๊ตญ   



๋ ˆ์ง€๋˜์‹œ    

2020 ๊ธˆ์ฒœ์˜ˆ์ˆ ๊ณต์žฅ, ์„œ์šธ, ํ•œ๊ตญ (1์›”-ํ˜„์žฌ)      
2019 ํ…Œ๋ฏธ์˜ˆ์ˆ ์ฐฝ์ž‘์„ผํ„ฐ, ๋Œ€์ „, ํ•œ๊ตญ (1์›”- 12์›”)     
2018 ์ŠคํŠœ๋””์˜ค ์•„์ŠคํŠธ, ์„œ์šธ, ํ•œ๊ตญ (2์›”-12์›”)     
2017 ์•„ํŠธ์ŠคํŽ˜์ด์Šค ์˜ค, ์„œ์šธ, ํ•œ๊ตญ (12์›”)   
2017 ํ•„๋กœํ…์ฟ ์—์ฒด PILOTENKUECHE, ๋ผ์ดํ”„์น˜ํžˆ, ๋…์ผ (6์›”-9์›”)   
2016 ํ”ผ๋„ค์•„-๋ฆฌ๋„ค์•„ ๋ฐ ์ฝ”์Šคํƒ€, ๋กœํƒ€, ์ŠคํŽ˜์ธ (10์›”)    
2016 ๋ฐ์“ฐ ์•ค ๋กœ๋งจ์Šค (ํ”„๋žญ์ฝ” ๋น„์˜ ์›Œํฌ์ˆ), ํŒ”๋ผ์ดˆ ๋ฃจ์นด๋ฆฌ๋‹ˆ ์ปจํ…œํฌ๋Ÿฌ๋ฆฌ, ํŠธ๋ ˆ๋น„, ์ดํƒˆ๋ฆฌ์•„ (8์›”-9์›”)    
2015 ํŒŒ๋ฆฌ๊ตญ์ œ์˜ˆ์ˆ ๊ณต๋™์ฒด, ํŒŒ๋ฆฌ, ํ”„๋ž‘์Šค (4์›”-7์›”) - ์˜๊ตญ์™•๋ฆฝ์˜ˆ์ˆ ํ•™๊ต ํ›„์›    


  
ํ† ํฌ    

2020 @{X-ROOM} ์•„ํ‹ฐ์ŠคํŠธ{ํ†ก} (์ผ๋ฏผ๋ฏธ์ˆ ๊ด€), ์นด์นด์˜คํ†ก ์˜คํ”ˆ ์ฑ„ํŒ… ๋ฐ ์œ ํŠœ๋ธŒ ๋ผ์ด๋ธŒ, ์˜จ๋ผ์ธ
2020 ๋‰ด๋…ธ๋ฉ€ ํ† ํฌ, ์ธ์Šคํƒ€๊ทธ๋žจ ๋ผ์ด๋ธŒ, ์˜จ๋ผ์ธ ๐Ÿˆ  
2019 ์–‘๊ฐ์˜ ๊ธฐ์ˆ  ํ† ํฌ, ์˜คํผ์„ผํŠธ, ์„œ์šธ, ํ•œ๊ตญ  
2019 ๋™์„ฑ์บ‰์บ‰ ํ† ํฌ, ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€, ์„œ์šธ, ํ•œ๊ตญ



์ถœํŒ / ๋ณด๋„

2020 โ€˜์™“ ํˆฌ ์”จ ์ธ ์„œ์šธ (๋น„ํŠธ์œˆ ๋ฝ๋‹ค์šด์Šค) - ์•ค๋”” ์„ธ์ธํŠธ ๋ฃจ์ด์Šคโ€™, ๊ธฐ์‚ฌ, ์•„ํŠธ๋ฆฌ๋ทฐ (6์›”) ๎ฃ๏ธŽ
2020 โ€˜๋˜ ๋‹ค๋ฅธ ๊ฐ€์กฑ์„ ์ฐพ์•„์„œโ€™, ๊ธฐ์‚ฌ, ์ดํ”Œ๋Ÿญ์Šค (5์›”) ๎ฃ๏ธŽ
2020 โ€˜๋‰ด๋…ธ๋ฉ€โ€™, ์นดํƒˆ๋กœ๊ทธ, 6699press - ํ•œ๊ตญ๋ฌธํ™”์˜ˆ์ˆ ์œ„์›ํšŒ ํ›„์› (5์›”) ๐Ÿˆ
2020 โ€˜ํ”ผ๋“œ ๋งˆ์ด ์ฟผ๋Ÿฐํ‹ดโ€™, ์›น์ง„, ๋ฐ”์ด ์–ดํฌ์ธํŠธ๋จผํŠธ ์˜จ๋ฆฌ (4์›”) ๎ฃ๏ธŽ
2020 โ€˜๋‰ด๋…ธ๋ฉ€ - ์ด์—ฐ์ˆ™โ€™, ๋ฆฌ๋ทฐ, ์›”๊ฐ„๋ฏธ์ˆ  423ํ˜ธ (4์›”) ๐Ÿˆ
2019 โ€˜ํ™”ํ˜•โ€™, ์นดํƒˆ๋กœ๊ทธ - ๋Œ€์ „๋ฌธํ™”์žฌ๋‹จ ํ›„์› (11์›”)
2019 โ€˜ํฌ๋ฃจ์ง•์˜ ์ˆ˜ํ–‰์ž๋“ค <๋™์„ฑ์บ‰์บ‰>์ „ - ์–‘์ง€์œคโ€™, ๋ฆฌ๋ทฐ, ํผ๋ธ”๋ฆญ์•„ํŠธ 155ํ˜ธ (8์›”) ๎ฃ๏ธŽ
2019 โ€˜๋™์„ฑ์บ‰์บ‰โ€™, ์นดํƒˆ๋กœ๊ทธ, ์ž๊ฐ€ ์ถœํŒ (7์›”)
2019 '๋“€ํ‚ด ์ธํ„ฐ๋ทฐ', ์ธํ„ฐ๋ทฐ, ๋””:ํฌ๋ฉ€ ๊ฐค๋Ÿฌ๋ฆฌ (2์›”) ๎ฃ๏ธŽ
2018 '์ฐฝ์ž‘์ž-์†Œ๋น„์ž ๊ฐ„์˜ ๊ฐญ', ์ธํ„ฐ๋ทฐ, ๋งค๊ฑฐ์ง„ ํด๋ง 1ํ˜ธ (12์›”)
2018 'ํด๋ฆฌ ๋ณด์ด์‹œ์Šค', ์ธํ„ฐ๋ทฐ, ๋งค๊ฑฐ์ง„ ๋ ์Šค ํ”„๋กœ์ ํŠธ 3ํ˜ธ (10์›”)
2018 โ€˜๋‚ด๊ฐ€ ์กฐ๊ธˆ ๋” ์„ค๋  ์ˆ˜ ์žˆ๊ฒŒ โ™ก Purple Kissโ€™, ์นดํƒˆ๋กœ๊ทธ - ์„œ์šธ๋ฌธํ™”์žฌ๋‹จ ํ›„์› (10์›”)
2018 '์‹œ์นด ์•„ํŠธ ๋‚˜์šฐ 2018', ์นดํƒˆ๋กœ๊ทธ, ์‹œ์นด๋ฏธ์ˆ ๊ด€ (8์›”)
2018 '๊ทธ๋ฆฐ/๊ณค์ž˜๋ ˆ์Šค์™€ ๋” ์ฒ˜์น˜ ์˜ค๋ธŒ ์ต์ŠคํŒฌ๋””๋“œ ํ…”๋ ˆํŒŒ์‹œ', ์ธํ„ฐ๋ทฐ, ์•„ํŠธ ๋ฒ ๋ฅผ๋ฆฐ (2์›”)
2017 '์–ธ์  ๋”, ๋””ํ”„๋กœ๊ทธ๋žจ, ์œ ๋ฆฌ๋„ค์ดํŠธ: ์ž„ํ”„๋ฃจ๋ธŒ ์œ ์–ด ๋ผ์ดํ”„ ์œ„๋“œ ํฌ์ŠคํŠธ-์‚ฌ์ด๋ฒ„ ์ธํ„ฐ๋‚ด์…”๋„ ํŽ˜๋ฏธ๋‹ˆ์ฆ˜!โ€™, ๊ธฐ์‚ฌ, ๊ฐ€๋””์–ธ (11์›”)
2017 'ํ•˜์šฐ ์บ” ํŽ˜๋ฏธ๋‹ˆ์ŠคํŠธ ์•ค ํ€ด์–ด ํ”„๋ž™ํ‹ฐ์‹œ์ฆˆ ์ž„ํŒฉํŠธ ํ“จ์ณ ํ…Œํฌ๋†€๋กœ์ง€?', ๊ธฐ์‚ฌ, ๋ฐ์ด์ฆˆ๋“œ ๋””์ง€ํ„ธ (11์›”) 
2016 '์Šคํ‹ฐํ‚ค', ์ธํ„ฐ๋ทฐ, ์‹œ๋Ÿฝ ๋งค๊ฑฐ์ง„ 1ํ˜ธ (11์›”)
2016 '๋ฐ์“ฐ ์•ค ๋กœ๋งจ์Šค (ํ”„๋žญ์ฝ” ๋น„์˜ ์›Œํฌ์ˆ)', ์นดํƒˆ๋กœ๊ทธ, ํŒ”๋ผ์ดˆ ๋ฃจ์นด๋ฆฌ๋‹ˆ ์ปจํ…œํฌ๋Ÿฌ๋ฆฌ (10์›”)
2016 โ€˜์ดˆ๋ด„ Two Seeds of Early Spring (์ œ๋ผ๋ฅด๋„ ์ฐจ๋ฒ ์Šค-๋งˆ์ž์™€ ์ธํ„ฐ๋ทฐ)โ€™, ์ธํ„ฐ๋ทฐ (2์›”)
2015 '๋””์˜ค๋‹ˆ์‹œ์•„: ๋” ํŠธ๋ฃจ ์Šคํ† ๋ฆฌ ์˜ค๋ธŒ ๋งˆ์ด ๋ฆด๋ ˆ์ด์…˜์‰ฝ ์œ„๋“œ ๋งˆ์ด ๋ฐ”๋””', ์šฐ์ˆ˜๋…ผ๋ฌธ, ์˜๊ตญ์™•๋ฆฝ์˜ˆ์ˆ ํ•™๊ต (10์›”)
2012 'ใ…†ใ…‚', ์ธํ„ฐ๋ทฐ, ๋””๋…ธ๋งˆ๋“œ 11ํ˜ธ (9์›”)
2011 '๋ฐ์ด์ฆˆ๋“œ X ๊ทธ๋กค์‰ฌ ์•„ํŠธ ์ฝœ๋ผ๋ณด๋ ˆ์ด์…˜โ€™, ๋ฐ์ด์ฆˆ๋“œ ์•ค ์ปจํ“จ์ฆˆ๋“œ ์ฝ”๋ฆฌ์•„ 38ํ˜ธ (6์›”)