︎ (KR) ‘신인류 프로젝트 : 정조대를 찾아서 by 허니듀’, Essay, 2021
︎ (EN) ‘In Pornotopia’ by Jinho Lim (curator at out_sight), Review, 2020
︎ (KR) ‘포르노토피아에서’ by 임진호 (out_sight 큐레이터), Review, 2020
︎ (KR) ‘공포와 쾌락을 함께 사유하기’ by 루인 (젠더학자), Review, 2020
︎ (KR/EN) ‘Why Did Ishtar Go to the Underworld?’ by Dew Kim, 2020
︎ (EN) ‘Absence of Homeland or Birth of a New Breed‘ by Chung Hyun (Art Critic), Review, 2019
︎ (KR) ‘모국의 부재 혹은 새로운 종족의 탄생’ by 정현 (미술비평), Review, 2019
︎ (KR) ‘파괴를 파괴한 자리 벅차오르는 블링블링 얼룩’ by 남웅 (미술비평), Review, 2018
︎ (EN) 'DIONYSIA: The True Story of My Relationship with My Body' by Dew Kim, Distinction Awarded Dissertation, Royal College of Art, 2015
︎ (EN) ‘In Pornotopia’ by Jinho Lim (curator at out_sight), Review, 2020
︎ (KR) ‘포르노토피아에서’ by 임진호 (out_sight 큐레이터), Review, 2020
︎ (KR) ‘공포와 쾌락을 함께 사유하기’ by 루인 (젠더학자), Review, 2020
︎ (KR/EN) ‘Why Did Ishtar Go to the Underworld?’ by Dew Kim, 2020
︎ (EN) ‘Absence of Homeland or Birth of a New Breed‘ by Chung Hyun (Art Critic), Review, 2019
︎ (KR) ‘모국의 부재 혹은 새로운 종족의 탄생’ by 정현 (미술비평), Review, 2019
︎ (KR) ‘파괴를 파괴한 자리 벅차오르는 블링블링 얼룩’ by 남웅 (미술비평), Review, 2018
︎ (EN) 'DIONYSIA: The True Story of My Relationship with My Body' by Dew Kim, Distinction Awarded Dissertation, Royal College of Art, 2015